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Contents of this article

  • 1.What brand of imac secondhand jewelry?
  • 2. Art direction by Qiu Yi
  • 3. Who can help me come up with a nice English name?
  • 4. The disciplinary background of the development of experimental film

What brand of imac secondhand jewelry?


It is a world-renowned jewelry brand from New York, USA. It is one of the favorite jewelry brands of the first lady of the United States, Michelle Obama. Since its inception, it has been endowed with the brand connotation of "low-key luxury, high-key beauty". CAROLEE has always been committed to providing low-key and luxurious fashion accessories to beauty-loving ladies around the world.
🌟

Art direction by Qiu Yi


Supermodel "Xiaoguai" Lu Yirong, who has been hosting events in recent years, walked the catwalk for Carolee's spring and summer conference yesterday. She said that in recent years, she has only walked shows for manufacturers with good cooperative relationships, and Carolee is one of them, but every time her remuneration is spent on Carolee. on the jewelry.
"The first thing I said when I arrived at the scene today was, 'What's the discount today?'" She said that the color of Carolee's jewelry is very bright, and it goes well with daily clothes, and the effect is very unique.
Carolee’s spring and summer jewelry has three main focuses. One is silk, which combines silk ribbons with jewelry; the other is palace style, which uses noble pearls and crystals, supplemented by detailed flower and grass decorations, to create palace magnificence. style.
The newly launched island-style series focuses on turquoise, supplemented by green jade, carnelian, crystal, etc., to create a resort style. Large pendants and thicker-cut semi-precious stones make the style extremely eye-catching. .


carolee, I would like to be more detailed about the artists and works included in the background of female experimental films. Figure 1


Can anyone help me come up with a nice English name?


Cherry, cherry, most people’s impression of cherry is that it is sweet, cute, youthful, and enthusiastic to help others.

The disciplinary background of the development of experimental film


Some female experimental filmmakers (reposted from Stalker Forum)
  The audience for art is limited not because of ignorance or lack of analytical ability, but because of the lack of pure sensibility. This reluctance to give up, at least temporarily, one's own reality in order to experience another reality is subject to a defense mechanism. Such defense mechanisms are symptoms of a state of society in which the artist cannot take responsibility. This is based on the fact that if one gives legitimacy to contemporary realities apart from realities other than one's own, then those "absolute" realities, those self-righteous beliefs on which social organization is based, will be Erosion damage.
  ----------MAYA DEREN
  Alan. Ellen Gaine
  Ellen Gaine
studied film at the State University of New York at Binghamton and was taught by Larry Gottheim and Ken
Jacobs. She has settled in the San Francisco Bay Area since 1982. She specializes in black and white 8MM film creation. Her works are mainly based on natural elements, especially the reshaping of water images, reflecting the ripples of water into black and white light and shadow, a hypnotic meditation. 8MM's film works include "#3" (1970-80, S-8), "Frangment, 1982-85, S-8", etc.
  What can be expressed by using Super 8 must be something at a more metaphorical level... whatever is hidden under the activity or reality, it gives a more intimate view . ...What interests me is how it reflects the activity of memory, ...For me, memory is like that fleeting and unrecognizable image, with emotional and even ideological resonance. , but separated from its essence.
  ----Ellen Gaine
  Martha. Martha Colbum
  Martha
Colbum was born in 1971. She is a self-taught film creator and musician who currently lives in Baltimore, USA. Her film creation began by re-editing and hand-drawing some leftover films. The films are mainly collage, cut-and-paste and puppet animation by recycling old films and destroying the original text. A new generation of low-budget Super 8 film creators. Martha
Colbum has a hobby of collecting old films. In addition to showing these weird and crazy collections, many of her personal works are made from collages of these films. She encourages people to shoot super 8 and 8MM films through traveling screenings. Her works include: "Improv
Spazz" (1995, s-8), "Hey Tiger" (1996, s-8), "I "I can't Keep Up, 1997, s-8" etc.
  
  Diana. Diana Barrie
  Diana Barrie studied at the School of
Art Institurte of
Chicago and has been engaged in photography and film creation since the 1970s. Barry has devoted himself to experimental film creation, and his works show alternative forms: for example, comparing the limitations and potentials of 8MM and 16MM films, the construction of a cinematic sense of gender definition, and the key to the mutual echo between primary images of film invention. Barry used Super 8 to announce the rite of passage of women's self-conscious images and create a women's image paradise. 8MM film works include: "Eyes
Through Snow, 1973, S-8", "Dear Diary Episode 1" "Dear Dairy Volumel,1974,S-8", "Night
Movie #3,1979,S-8", etc.
  
  Peggy. Peggy Ahwesh
  Peggy
Ahwesh graduated from Antioch College with a Bachelor of Fine Arts degree and is known as an alchemist of film. She uses extremely low-budget and zero-cost aesthetics, combined with her own interests in exploring sex, violence, and language, to break the rules of film one by one. She has no right to face the perverse qualities of civilization, and turns decay into magic in film. Ahwesh has been making Super 8 films since the 1970s, and his works have been screened at the Whitney Biennial many times. 8MM's film works include "The
Pittsburgh Trilogy, 1983, S-8), "Martina's Playhouse, 1989, S-8", "Visual Machine" 》(The
Vision Machine,1997,S-8/Video) etc. He has taught at Brown University and the San Francisco Art
Institute, and first taught at Bard College.
  
  Jennifer. Jennifer Montgomery
  Jennifer
Montgomery studied at the University of Westland and tried writing and painting as an experiment. In 1984, he moved to San Francisco and worked in the gay movement. Then she went to the San Francisco Art Institute to study. On the first day of registration, her father gave her a Super 8 camera and 20 rolls of film for home movies, which started her film creation. She was taught at school by George
Kuchar, Keith Sanborn, and Abigal Child. After that, she met guest artist Peggy
Ahwesh, and the two began to collaborate on films. Her first film, Home
Avenne, 1989, S-8, is a 17-minute documentary in which she returns to a gun store in Connecticut to reconstruct an earlier Incidents and memories of being raped here. This autobiographical film was screened at the Gay and Lesbian Film Festival in New York and aroused a huge response. She brings herself to the public because most people are interested in ways of dealing with memory and sexual violence. 8MM's works include: "California" (California, 1989, S-8), "Age
12: Love With a Little L, 1990, S-8", "I'm a One" "I, A Lamb, 1992, S-8" etc.
  
  
  Caroline. Carolee Scheemann
  Carolee
Scheemann is an interdisciplinary artist. Her work takes the form of film, video art, painting, photography, book art, performance and performance art, installation art, and cross-media integration to transform the definition of the body, sexuality, gender, and art. For her, film is just one of all the media in which she works. She did not make many films, but her "Autobiographical Three Steps" had a profound impact on film creation. Received Guggenheim Art Creation Research Fellowship. Milton, who first taught at Bard College. Avery Graduate School of Arts (Bard
College, Milton Avery Graduate School of Arts). 8MM film works include: "Carl. Carl ruggles's Christmas Breakfast"
   (Carl ruggles's Christmas Breakfast, 1964, R-8), "Plumb
Line, 1971, S-8), "Caiche" "Kitch's Last Night, 1973-78, S-8", etc.
  
  Marjoria. Keller (Marjorie Keller)
  After the death of Marjorie
Keller was an experimental film creator with strong female consciousness. She studied film at New York University and studied film at the University of Rhode Island in Kingston. She teaches film and video production at the branch school. Her works playfully tease and challenge gender relations, feminist issues,
   and our positioning of things, successfully showing artistry and feminist elements. The politics of mastery. Her Misconception (1977) is a film about production experience that re-examines the social myth of the family. She focuses on the audio-visual perception of mother's experience, proposing the contradictory view of male theory on childbirth and the phenomenon of women's continuous labor pain. 8MM's film works include: "Turtle" (1969, R-8), "She/Va" (1973, R-8), "Lyrics" (1983, S-8), etc.
  
  
  Marcelle. Marcelle Thirache
  Marcelle
Thirache is one of the most important contemporary French avant-garde filmmakers. He has successively used photography and experimental films as creative media. The films he creates often combine photos and paintings, and try to change the attributes of the films by combining music or post-coloring. Recently, she often collaborates with other artists to launch installation works that combine photos and videos, performances that combine videos with theater or dance, and other audio-visual media.
  To date, she has accumulated more than forty experimental films. The director has always paid close attention to the uncertainty of the "subject" of the characters. I am particularly interested in elements such as light, shadow and movement in movies. I like to use the camera to "watch" the qualitative change process of the objects being photographed, or the transformation process between reality and abstraction, such as the rhythm of rivers or oceans, and how to transform them into light and shadow phenomena. . Treat the camera as a double-sided mirror that can be traversed to explore the relationship between things and myself. 8MM works include: "Abstraction
No.2, 1994, S-8), "Angel on the Carousel" (L'ange du Carrousel, 1993-94, S-8), "Gold Palme
D'Or, 1993, S-8), Song Shu, 1996, S-8, Ink 08/02/97 (Encre 08/02/97, 1997, S-8) etc.
  
  Sehil. Cecile Fontaine
  Cecile
Fontaine is one of the most exciting and anticipated experimental filmmakers in contemporary France. Her works cover all film specifications: Super 8, Standard 8, 16MM, 35MM, and make them cross each other. She also "appropriates" home movies and old commercials shot by others and "recycles" them. What's more special is that she often interferes with the nature of the film by destroying its "integrity": either corroding the film in a decreasing way, scraping it locally, peeling off the film's color layers layer by layer; or in an incremental way. In this way, stick the tape, peel, dust... on it. As for the original structure of the film, the frame is often changed, reshot, partially joined, or the latex is peeled off to regain its original rhythm. The films she makes place great emphasis on "touch" and redefine the concept of "editing". His works include: A
Color Movie, 1983, S-8), Le Dejeuner Sur L'Herbe (1986, S-8), Paris, Le 7
Janvier (1998, S-8) ), Abstract Film en Coleurs (1991, S-8), etc.
  
  Vivian. Vivieene Dick
  Vivieene Dick was born in Donegal, Ireland
. She started shooting Super 8 movies in 1976. She feels that the size of the 8MM camera is the most suitable for the body and the texture of the film, so she particularly loves the 8MM. He was a representative figure of the "No
Wave" movement in New York in the 1970s. Her work is centered around personal explorations of her life from a political perspective, and she uses 8MM to make direct political comments. She describes her work as "narrative and political" and is at the forefront of the ever-changing landscape of avant-garde cinema and independent production. She was always  
reactionary to the structuralist and materialist film schools of the 1970s. His works include: Guerillere Talks (1978, S-8), Beauty
Becomes The Beast, 1979, S-8), Trailer (1983, S- 8) etc.
  
  Barbara. Babara
Hammer
  Babala
Hammer is an experimental film creator who started out by shooting 8MM films. Hammer has been involved in the San Francisco Lesbian Front since the 1970s, recording the lives of lesbians and the growth and transformation of the gay community. So far, he has produced 80 films and videos, and completed a three-part experimental documentary on the theme of gay history. : "Nitrate
Kisses" (1992), "Tender Fiction" (1995), "History
Lessons" (2000), among the most popular gay and independent films Important representatives. Her works boldly challenge the way of viewing movies, using appearance, display, expression and de-obscuration to present what we have never seen before. Her extensive 8MM films of intimate lesbian relationships can be seen in "Tender Confessions". His works include: Schizy (1968, S-8), Traveling: Marie
and Me, 1970, R-8, etc.
  
  Janice. Christo. Janis Criystal Lipzin
  Janis
Criystal
Lipzin is an interdisciplinary artist and film educator who teaches in the Department of Filmmaking and Interdisciplinary Arts at the San Francisco Art Institute. Janis Cristal Lipzin has been producing Super 8MM films for more than 25 years and now lives in
Sebastapol, California, USA. For more than 25 years, Janis Cristal Lipzin has been fully practicing balancing film production, cross-disciplinary artistic creation, media education and event curation. spare no effort.
  Since the late 1960s, her works have emphasized alternative light sensitivity processes and the application of interactive activities of the viewer. Since 1970, she has created numerous 16MM and 8MM film works. , and video works. Her methodology allows her to transform and open new horizons while reflecting the “real”. She makes films from a creative background in painting, photography and printmaking. She is conscious of creating "movies" without conforming to conventions. This concept liberates her from the conventions of filmmaking. She is most interested in creative expressions that challenge our preconceptions. It is her mission to enrich her teaching, curating, and art writing work, and to find a balance between the practice of artistic creation and her responsibility to society. Recently, she examines the role of evidence raised by experts regarding human activities, inviting the audience to participate in and rethink her construction of other people's interpretations of history and contemporary events. Her work has explored archaeology, arson and pyromania, pesticide contamination, crime and controversial medical issues. His works include "Flapping
Things, 1974, S-8", "The Bladderwort
Documentm, 1978, S-8", "Trepanations" (1983) , S-8), "Right Eye/Left
Eye, 1983-84, S-8), "Seasonal Forces, 1995-97, S-8", etc. .
  
  
  An. Charlotte. Anne Charlotte Robertson
  Anne Charlotte
Robertson was born in Columbus, Ohio, USA. He has been making movies since 1976. She claims to have been diagnosed as bipolar, but she denies this conclusion, preferring to think of herself as a typical anxious person who feels compelled to observe.

The above is all about Carolee, the background of female experimental films including which artists and works I hope to be more detailed about, as well as Carolee’s related content, I hope it can help you.

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