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Contents of this article

  • 1. The world’s top ten classic piano pieces
  • 2. Huang Hong, China Banking and Insurance Regulatory Commission
  • 3. What brands of energy management systems are there?
  • 4. How many veterinary drug manufacturers are there in Shanxi?

The world's top ten classic piano pieces


  Indulging in this romantic and beautiful piano music always makes people immersed in infinite reverie, allowing us to understand the true meaning of love and be sublimated in love. Below are the top ten classic piano songs in the world that I have collected. I hope it will be helpful to you.

  Top Ten Classic Piano Music in the World Part 1

  girl's prayer

  "Girl's Prayer" is a work written by Polish female pianist and composer Badajewska when she was 18 years old. This piece has a simple structure, simple technique, cheerfulness and lightness, and fully expresses the mood of a girl: full of dreams and reveries. , filled with beautiful wishes for youth and love.

  love dream

  The piano piece "Dream of Love" by the romantic master Liszt is a gentle and graceful piece, full of dreams, expectations and memories.

  Adelina by the water

  The melody of "Adirina by the Water" is sometimes high-pitched; sometimes low; sometimes tactful; sometimes sad, as if it is telling a story with notes: A long time ago, there was a lonely king of Cyprus named Pygmalion (Pygmalion). He sculptured a beautiful girl, looked at her crazily every day, and eventually fell in love with the statue of the girl. He prayed to the gods, hoping for a miracle of love. His sincerity and persistence moved Aphrodite, the goddess of love, and gave life to the sculpture. From then on, the lucky king lived with the beautiful girl and lived a happy life.

  To Alice

  Beethoven never married in his life, but he always looked forward to getting an ideal partner. Between 1808 and 1810, Beethoven taught a man named Therese. Malfati's female student and developed a crush on her. In a very sweet and comfortable mood, he wrote a ditty "Baga Taylor in A minor" and gave it to her. Beethoven also inscribed the words "Dedicated to Therese" on the score. From then on, this score remained with Therese. After Beethoven's death, this piece of music was not included in his catalog. It was not until the 1860s that the German musician Noel wrote a biography of Beethoven in Therese. The manuscript of this piece of music was discovered among Malfati's belongings. When the score of this piece was published in Stuttgart in 1867, Knoll mistakenly wrote the title as "For Alice". Since then, people have forgotten the original name of "To Therese" and called it "To Alice".

  dream wedding

  "Dream Wedding" was tailor-made for Richard Clayderman by French composers and music producers Paul De Senneville and Olivier Toussaint. The continuous octave melody progression is a characteristic of the piano music of this piece, and this feature indeed plays an integral role in the performance of his work. The main melody repeated in higher octaves has a fresh and bright temperament and a crisp and bright auditory effect.

  Romeo and Juliet

  A poignant love story can always resonate in people's hearts, and the love story of Romeo and Juliet is no exception... The piano music "Romeo and Juliet" has a soothing and beautiful melody. If you listen carefully, it sounds like a girl wearing silk. A plaintive complaint. Like a stream flowing through, it is long and not turbulent. Although there is sorrow, there is no hatred; although there is sadness, there is no shouting at the top of one's voice. Perhaps, this song itself should be about a reserved and gentle girl.

  love story

  This song comes from the Hollywood movie "Love Story" of the same name. It is also a famous song from the UK that is famous all over the world. The movie of the same name uses music to tell the story of a rich boy named Oliver who meets Jennifer, a smart and lovely girl, on the campus of Harvard University, which is filled with youthful romance. He is deeply attracted by the girl's wit and beauty, and the two quickly fall in love. However, when the powerful Oliver family learned that their son's fiancée came from a family that baked cookies, they strongly opposed the marriage. Oliver, who was deeply in love with Jennifer, decided to marry his lover regardless of family opposition, and he did not hesitate to sever ties with his family. Although life after marriage is limited and difficult, it is full of the sweetness of love. With the support of his beloved wife, Oliver completed his master's degree and successfully obtained his lawyer's license. Just as life was heading towards a better future, the disease chose Jennifer. In order to treat his beloved wife's terminal illness, Oliver lowered his head and asked his father for help. However, all the pleadings could not stop the ruthless disease, and Jennifer finally passed away. And this sincere love story has received eternal praise.

  Concerto of love

  The music "Concerto of Love" was released in 1981. "Concerto of Love" is a classic title music. At the beginning, the music flows out quietly like a gurgling stream, and the feelings of love begin to surge, like ripples. Wave after wave, layer after layer. Sometimes strong, sometimes low, from low to high, from weak to strong, the cycle lingers.

  Childhood Memory

  Everyone has an innocent childhood or a first love. Whether it is joy or trouble, it has left us with many beautiful memories... As we grow older, these memories do not gradually fade away, but become more and more beautiful. Coming deeper and clearer. Whenever you are alone, your memories will come to your mind, making you appreciate, miss, and ponder, and make you smile brightly without realizing it.

  Autumn whispers

  "Whispers of Autumn" is Richard Clayderman's classic piece. The melody is beautiful and beautiful, as if the evening breeze is blowing towards us with a gentle coolness. The music touches our cheeks and puts us in a world that is both real and imaginary. A world full of autumn. The beautiful melody reminds people of past gains and losses, melancholy mixed with joy, slow mixed with excitement. Intoxicated by the music, people recall the joys, sorrows and joys of life, listen to the whispers of autumn, and express their own feelings.

  Romance is a beautiful feeling, it is the rippling spring pond of affection, and it is also the intoxicating beauty of sadness; it is the forgetful smile of a warm moment, and it is the look of expectation towards the future.

  Indulging in this romantic and beautiful piano music always makes people immersed in infinite reverie, allowing us to understand the true meaning of love and be sublimated in love.

  Top Ten Classic Piano Music in the World Part 2

  Ranked No. 1: Rachmaninoff’s Piano Concerto No. 3

  Rachmaninoff's "Piano Concerto No. 3" expresses the most persevering Russian spirit and the most powerful vitality, and the composer's personal strength is also fully demonstrated in this work: "Rachmaninoff Rachmaninoff is made of steel and amaranth. Steel is his arms and gold is his heart. "This is the most precious thing about Rachmaninov's music. When Rachmaninov himself premiered it as a piano soloist in New York, he jokingly called his concerto an "elephant work" to describe its size and weight. A well-known music scholar once described the physical effort required to perform "La San" once as equivalent to "shoveling ten tons of coal", which shows how difficult it is. The Australian musician's biographical film "Shining Style" describes the pianist's mental breakdown due to playing "Pulse 3". From this, we can imagine the emotional shock of "Para 3"! Rachmaninov It is said that only Horowitz can perform this piano concerto well.

  Ranked 2: "English Country-Tunes" by Michael Finesse

  "English Country-Tunes" piano music composed by British composer Michael Phinisi more than thirty years ago. This piece of piano music is said to be the most difficult to play in the world. There are sometimes three hundred notes squeezed into one measure on the piano score. When playing, you have to use your fingers and elbows...Russian female pianist Silkland performed this piece for the first time in Japan.

  Ranked 3: Prokofiev Piano Concerto No. 2

  Prokofiev Piano Concerto No. 2, in G minor, OP.16, was composed in 1913. Because his classmate Smithoff committed suicide at that time, the music was dedicated to Smithoff. Because the original score was lost, Prokofi It was reorganized by Yada in 1923 from memory. This piece was premiered on August 23, 1913 with Prokofiev as the lead. During the first performance, many people walked out and reviled the performance because of the violent percussion of the rhythm and the continuous dissonance. Most reports said: "This future music, give it to the devil. We are here to have fun, and my cat can play this music."

  At that time, Diaghilev invited Prokofiev to compose dance music for him after hearing this piece. Critic Viatcheslav Karatygin (1875-1925) said: "I am sure that in 10 years, the audience will Give the talent of this young composer considerable applause to atone for yesterday's reckless ridicule. "This piece has 4 movements: The first movement: Andante, G minor, sonata-shaped free form. The presentation is guided by a 2-measure prelude of string pizzicato and clarinet. The left hand of the piano plays scattered chords, and the right hand appears with the melancholy first theme. The theme goes back and forth between the woodwind and piano, and then moves to the fast tone group. The second theme is Allegro. After the piano plays the second theme, it continues to develop gorgeous sound patterns. After moving to flute and oboe, flute and clarinet, and then a little slower, the exposition ends with the orchestra. The development section begins with the gorgeous development of the first theme on the piano on the background of the cello tremolo, and quickly reaches a climax. After a calm period, the recapitulation section ends as soon as the first theme appears on the piano. The second movement: Scherzo, lively, in D minor, in three sections, a fast toccata-type movement.

  The first section starts with a strong piano theme as the center, with string pizzicato and wind instruments making funny sound patterns sandwiched in the middle. In the middle section, the accompaniment band continues to play dynamic musical ideas, and the piano continues to play toccata patterns. The third movement: Intermezzo, gentle Allegro, three sections. The first section begins with the band's heavy-stepping prelude, and the piano enters into a gorgeous development. In the middle part, the violin plays a clear theme and develops it, the piano repeatedly plays the slide pattern, and the band is entangled with each other, forming a beautiful timbre effect. The third paragraph makes various changes to the elements of the first paragraph. The fourth movement: passionate Allegro, G minor, A-B-C-B-A structure. A begins with the piano and flute presenting a free and unrestrained melody. The piano enters with percussion, which contrasts with the pizzicato of the strings. The B speed slows down, and after the piano hits half of the chord, the clarinet, bassoon, and cello play a simple Russian-style D minor melody. The piano continues the melody and then passes it to the bassoon and oboe, while the French horns proceed in reverse. The C speed turns faster and enters Allegro. The flute and string pizzicato create overlapping sound patterns, and the band's roar and piano chords form a climax. After calming down, after the heavy chords, the piano solo cadenzas, and the elements of the B section reappear. When the Andante becomes calm, it turns into a fast sound group, and the piano solo is meditative. Then the band formed a sharp sound, returned to the passionate Allegro A section, and finally entered the short finale composed of C section elements.

  Ranked 4: Liszt's "Memories of Don Juan"

  Liszt's piano piece "Memories of Don Juan" adapted from Mozart's opera "Don Giovanni" is the quintessence of Liszt's many adaptations. The technique is difficult and the scene is grand, creating an astonishing momentum based on the rich expressions of the original work. Mozart's opera "Don Giovanni" was originally about two and a half hours long, but was adapted by Liszt into a short piano piece. Not a single note from the opera was deleted from the piano music. The entire piece is very difficult in terms of rhythm and technique. "Memories of Don Juan" is known as one of the most difficult piano pieces and is rarely played.

  Ranked 5: Brahms Piano Concerto No. 2 in B flat major

  Brahms' Piano Concerto No. 2 in B flat major (Op. 83) was composed in 1881. Since the era of Mozart and Beethoven, concertos created by Schumann, Chopin and even modern composers have basically had a three-movement structure. However, Brahms added a scherzo movement to his Second Piano Concerto, thereby expanding the work. It has four movements, and its form and character are close to that of a symphony. The solo instrument also becomes a member of the orchestra. This symphonic concept breaks away from the original "competition" meaning of the concerto. Therefore, this piece of music is sometimes also called Later generations called it "a symphony played by the piano". The form of this piano concerto is very special: first of all, the music adopts a four-movement format that is rare in the history of concertos; secondly, the lead piano in this piece does not occupy an absolutely dominant position, and the author deliberately made the piano and orchestra "completely equal". This concerto has neither the smoothness of Mozart nor the majesty of Beethoven. It is an authentic Brahms-style work. Compared with the First Concerto, it seems heavier and darker, and the technique is also particularly difficult. Some people say that Brahms' B flat major concerto is "the most difficult concerto that requires the pianist's sweat and sweat. It does not require the pianist's skill, but the most difficult concerto." Make them laborers."

  This piece of music has Brahms' unique composure and gravity, but at the same time it also has his bright and gentle side. In the spring of 1878, Brahms traveled to Italy for the first time. The customs and customs of this ancient southern European country left a deep impression on the author, and Brahms began to conceive this piece of music. In March 1881, the author visited Italy again, and this time his inspiration was completely aroused. So after returning home, he immediately started writing and completed the piece in the summer of that year. In fact, the Italian style in this piece is not obvious, but it is undoubtedly the expression of the author's true emotions, and it can be called one of Brahms' representative works. The final draft of this work was completed in 1881. On November 9 of the same year, the author himself acted as the piano soloist and used the draft score for its premiere in Budapest. The whole song is divided into four movements: The first movement: not too fast Allegro, in B flat major, 4/4 time, sonata form. Traditional double presentation department. The first presentation is orchestral music. First, the French horn plays the first theme motive, which consists of two measures. The piano delays one measure to follow, imitating like a shadow. The woodwind part develops, and the slightly sad second theme is played by the violin. After the presentation, the movement enters the second presentation, where the piano presents and develops a new theme, and the piano presents the second theme with enthusiastic variations.

  After the expansion in F minor, the music enters the recapitulation (the second theme is in B flat minor). At the end, the orchestra plays part of the motive of the first theme, the piano accompanies it with gorgeous arpeggios, and ends with a powerful opening motive. This movement is written thickly and powerfully, with a strong Brahms flavor. The theme motif that runs throughout the movement is introduced by the majestic horn and answered by the piano. The piano played by the orchestra is sometimes gentle and graceful, sometimes passionate and magnificent. There are many approaches in this movement that are completely different from classical concertos. The second movement: Passionate Allegro, D minor, 3/4 time, three sections. A typical scherzo, but the sonata structure is very clear and large in scale, giving people a sense of depth.

  The first theme begins with a fierce forte on the piano, followed closely by the band. The second theme is in A minor, played by strings in unison, and then repeated by the piano. The development section develops the above two themes, and the recapitulation section uses a completely different arrangement of instruments. The melody is warm and humorous, but also magical. The third movement: Andante, B flat major, 6/4 time, three sections. The orchestra plays the main melody, the piano plays decorative patterns, and makes variations on the theme. The first part begins with the cello playing a sweet melody. The middle part is softer, with the clarinet playing the C-sharp major theme, and the dreamy singing melody is as pious as a prayer. Finally, the theme in B flat major is reproduced. This movement is full of romantic atmosphere. It is an elegant movement with a bright Italian color in the heavy "German" style. The fourth movement: Beautiful Allegro, in B flat major, 2/4 time, rondo form. A beautiful finale with a dancey character. The fresh and lively Rondo theme begins with a piano solo, imitated by the band. Afterwards, the insert part with Hungarian folk style is presented in the key of A minor (it is reproduced in the key of D). Many other auxiliary inserts are interspersed between the piano and the band. Sometimes the piano decorates the orchestral theme with sound patterns and passing sentences, and sometimes the band uses colorful harmonies to set off the piano and weave it into a glorious finale. The general structure of this movement is A-B-A-B-ending. The main theme of dance music that starts from the piano is delicate and delicate, but also heavy and gorgeous.

  Ranked 6: Stravinsky Petruska

  Igor Fyodorovich Stravinsky, a Russian-American composer and conductor, is an important figure in Western modern music. His father is a bass singer at the Royal Opera House in St. Petersburg. He studied composition with Rimsky-Korsav. He settled in the United States in 1939 and became a French citizen and an American citizen. There are many works and various styles. "Petrushka" was originally an orchestral piece, but was later adapted into a piano piece and dedicated to Rubinstein. Extremely difficult.

  Ranking No. 7: Liszt Transcendental Etudes No. 5 Will-o'-the-Wisp

  Liszt's "12 Technique Etudes" is a formidable and difficult piece of music in the history of piano. From a technical point of view, these 12 works of Liszt are too difficult, as if they are the ivory tower of the art of piano performance. Even in the 20th century, when piano masters were like crucian carp, few performers dared to challenge them. The super skill etude "Wisp of Fire" has a difficult two-note technique and is the most difficult among the 12 super skills. Lage said that it is the most difficult etude. Not only is the technique tricky, but it must also be played nimble and interesting to be convincing.

  Ranking 8: Balakiyev Islam

  Balakiyev is an excellent pianist. He plays from memory and never reads music. He created a set of highly technical piano works, the most famous of which is "Islame". This "Islame" was composed and premiered in 1869 by Nicholas Rubinstein. This is an extremely difficult work to perform. It is the product of Balakirev's 1870 trip to the Caucasus to collect music. The subtitle of this work is "Oriental Fantasia". The main theme is a dance music of the Lesky people in the Caucasus region of Dakastan, and the second theme (seems to be a middle section) is the melody of a song Balakiyev heard sung by an opera singer in Moscow. This piece is composed of three parts: first the main part expresses the theme; then the middle part plays the emotional Andante; then the ending speeds up and returns to the theme, and the ending is a very frenetic and intense Presto. Because of its extreme difficulty, many pianists take it as a challenge.

  Ranked 9: Liszt Paganini Etudes No. 3 Bells

  The piece "The Bell" is also translated as "Companella". It is a piano solo piece written by Liszt based on the theme of "Violin Concerto No. 2 in B minor" by Italian violinist Paganini. Liszt is the most famous Showy work. "The Bell" is written in rondo form. Each time the theme appears, a new performance technique is used, giving full play to the piano playing skills. Liszt's arrangement of "The Bells" is shorter than Paganini's violin concerto "The Bells", and it is very impressive because the theme appears many times. "The Bell" is a piece that pianists often perform in concerts because it can fully demonstrate the superb skills of the performer. The performer needs extremely superb piano skills to master this piece of music well.

  Ranked 10: Bellini's "Memories of Norma"

  Italian opera composer Vincenzo Bellini laid out a gorgeous and natural lyrical melody in "Norma", using strongly contrasting plot tensions to show the struggle between love, hatred and forgiveness, and also predicted the story of women a century and a half in advance. The arrival of doctrine.


Oriental Kangpai Company, Top Ten Classic Piano Music in the World Picture 1

Huang Hong, China Banking and Insurance Regulatory Commission


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Beijing Insurance Regulatory Bureau
Director: Ding Xiaoyan
Deputy Director: Liu Feng
Assistant Director: Liu Yuelin Luo Qing
Address: 9th Floor, North Building, Xinmao Building, No. 15 Financial Street, Xicheng District, Beijing , 10th floor
Postcode: 100032 Tel: 010-66060530
Tianjin Insurance Regulatory Bureau
Party Secretary and Director: Guo Zuojian
Deputy Director: Li Zhenda
Director Assistant: Zhu Ying
Address: No. 93 Munan Road, Heping District, Tianjin
Postcode: 300050 Tel: 022-23145022
Hebei Insurance Regulatory Bureau
Director: Sun Peicheng
Deputy Director: An Xiuhong
Address: Shijiazhuang City, Hebei Province 18th Floor, Financial Building, No. 35 Ziqiang Road, Qiaoxi District
Postcode: 050051 Tel: 0311-87884612
Shanxi Insurance Regulatory Bureau
Director: Mu Fuming
Deputy Director: Tian Yi Yang Chunshan
Address :Yuhuang Building, No. 89 Fudong Street, Taiyuan City, Shanxi Province
Postcode: 030002 Tel: 0351-3345015
Inner Mongolia Insurance Regulatory Bureau
Director: Zhi Pengfei
Deputy Director: Liu Zhen and Xu Dening
Address: No. 17, Jinqiao Road, Saihan District (Jinqiao Development Zone), Hohhot City, Inner Mongolia
Postcode: 010010 Tel: 0471-450 5390
Liaoning Insurance Regulatory Bureau
Director: Zhang Guangzeng
Deputy Director: Gao Cui
Director Assistant: Liu Jun
Address: No. 29, Beijing Street, Shenhe District, Shenyang City, Liaoning Province
Postcode: 110013 Tel: 024-22596567
Jilin Insurance Regulatory Bureau
Director: Liu Dejiang
Deputy Director: Zhang Gang
Address: No. 1088, Kunshan Road, Economic and Technological Development Zone, Changchun City, Jilin Province
Postcode: 130033 Tel: 0431-85862008
Heilongjiang Insurance Regulatory Bureau
Director: Qi Shaojun
Deputy Director: Ma Liangjun Sang Xiuqi
Address: Oweisi Development Building, No. 15 Hongjun Street, Nangang District, Harbin City, Heilongjiang Province 20th Floor
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Shanghai Insurance Regulatory Bureau
Party Secretary: Sun Guodong
Director: Ma Xueping
Deputy Director: Deng Xionghan Xingwei
Director Assistant: Li Feng
Address: No. 39 Hehuan Road, Pudong New District, Shanghai
Postcode: 200135 Tel: 021-38656666
Jiangsu Insurance Regulatory Bureau
Director: Xie Xian
Deputy Director: Song Zhihua
Assistant Director: Yan Bo
Address: Jinsi Liguo, No. 169 Hanzhong Road, Nanjing City, Jiangsu Province 12th Floor, Ji Building
Postal code: 210029 Tel: 025-86793900
Zhejiang Insurance Regulatory Bureau
Director: Wu Mianjian
Deputy Director: Duan Zonghua Liu Gang
Address: No. 105, Tianjin Road, Hangzhou, Zhejiang Province 12th Floor, Kaisiya Building
Postcode: 310003 Tel: 0571-85777751
Anhui Insurance Regulatory Bureau
Director: Li Yingchun
Deputy Director: Hu Wan and Zhang Xuefeng
Address: Hefei City, Anhui Province
Postcode: 230001 Tel: 0551-5633900
Fujian Insurance Regulatory Bureau
Director: Zhu Zengbiao
Deputy Director: Wang Bin, Yuan Guanglin, Wu Chaosheng
Address: Yifa Building, No. 111 Wusi Road, Fuzhou City, Fujian Province 16th, 21st and 22nd floors
Postcode: 350003 Tel: 0591-87871590
Jiangxi Insurance Regulatory Bureau
Director: Zhang Xing
Deputy Director: Chen Jing and Zou Dongshan
Address: Nanchang City, Jiangxi Province Xinda Building, No. 15 Yongshu Road
Postcode: 330003 Tel: 0791-6387002
Shandong Insurance Regulatory Bureau
Director: Ren Jianguo
Deputy Director: Chen Jinjun and Gong Qingjun
Assistant Director: Lu Qing
Address: 10th Floor, CITIC Plaza, No. 150 Luoyuan Street, Jinan City, Shandong Province
Postcode: 250011 Tel: 0531-85180509
Henan Insurance Regulatory Bureau
Director: Ou Wei
Deputy Director: Lu Zhenfeng, Liu Dianyao, Zhao Qinghan
Address: Newspaper Building, No. 28 Nongong Road, Zhengzhou City, Henan Province
Postcode: 450008 Tel: 0371-63380612
Hubei Insurance Regulatory Bureau
Director: Zuo Xuwen
Deputy Director: Jiao Qingping and Yao Qinghai
Address: No. 2 Youyi Avenue, Wuchang District, Wuhan City, Hubei Province 2008 New Yangtze River Plaza
Postcode: 430062 Tel: 027-88937700
Hunan Insurance Regulatory Bureau
Director: Chen Jie
Deputy Director: Xiong Zhiguo Zhu Zheng
Address: 209 Sanyi Avenue, Changsha City, Hunan Province No.
Postcode: 410003 Tel: 0731-4825222
Guangdong Insurance Regulatory Bureau
Director: Huang Hong
Secretary of the Discipline Inspection Commission: Zhang Huiye
Deputy Director: Jiang Yutang
Assistant Director: Zhao Wei
Address: 22nd Floor, Dongbao Building, No. 767 Dongfeng East Road, Guangzhou City, Guangdong Province
Postcode: 510600 Tel: 020-38361222
Guangxi Insurance Regulatory Bureau
Director: Yuan Xucheng
Deputy Director: Wen Dewang Yu Limin
Address: Zhuang, Guangxi 17th Floor, Oriental Manhattan Building, No. 52-1 Jinhu Road, Nanning City, Nanning Autonomous Region
Postcode: 530028 Tel: 0771-5536636
Hainan Insurance Regulatory Bureau
Director: Wang Xiaoping
Deputy Director: Liu Yong
Address: 24th Floor, Yintong International Center, No. 45 Guomao Avenue, Haikou City, Hainan Province
Postcode: 570125 Tel: 0898-68510331
Chongqing Insurance Regulatory Bureau
Director: Deng Jida
Deputy Director: Qin Shiyou Liu Mei
Address: 12th Floor, Tower A, Imperial Plaza, No. 8 Wuyi Road, Yuzhong District, Chongqing
Postcode: 400010 Tel: 023-86668888
Sichuan Insurance Regulatory Bureau
Director: Wang Hulin
Deputy Director: Ni Rongming Tang Yashan
Address: Beite Kangpai Building, No. 51 Qinglong Street, Chengdu, Sichuan Province
Postcode: 610031 Tel: 028-86252541
Guizhou Insurance Regulatory Bureau
Director: Tan Lun
Deputy Director: Chen Qinghua and Zhang Manhong
Address: 18th Floor, Wujiang Hydropower Building, No. 9 Xinhua Road, Guiyang City, Guizhou Province
Postcode: 550002 Tel: 0851-5830149
Yunnan Insurance Regulatory Bureau
Director: Hou Jianxin
Deputy Director: Hua Ri Xin Yu Zudian
Address: 9-10th Floor, Xinhua Building, No. 6 Renmin East Road, Kunming City, Yunnan Province
Postcode: 650051 Tel: 0871-3164047
Shaanxi Insurance Regulatory Bureau
Director: Deng Liangxian
Deputy Director: Wu Yusheng
Assistant Director: Wang Genxiu
Address: 8th and 9th Floor, Building B, Shaanxi Highway Building, Hanbei Road, Xi'an City, Shaanxi Province
Postcode: 710068 Tel: 029-88416505
Gansu Bao Bureau of Supervision
Director: Zhang Rui
Deputy Director: Wang Mian and Liao Xiaolin
Address: Floor 7-10, Gansu Trust Building, No. 308 Jingning Road, Lanzhou City, Gansu Province
Postcode: 730030 Tel: 0931- 8831887
Qinghai Insurance Regulatory Bureau
Director: Ge Ling
Deputy Director: Han Shengyu and Zhao Yanliang
Address: 10-11th Floor, 21st Century Building, No. 13 Wusi Street, Xining City, Qinghai Province
Postcode: 810001 Tel: 0971-6109909
Ningxia Insurance Regulatory Bureau
Director: Li Hanhui
Deputy Director: Zhu Zepan
Assistant Director: Qi Xinzheng
Address: Xinchang, Jinfeng District, Yinchuan City, Ningxia Building B, Hexin Business Center, No. 158 East Road
Postcode: 750002 Tel: 0951-5699000
Xinjiang Insurance Regulatory Bureau
Director: Sun Jianning
Deputy Director: Zhu Jianmin
Assistant Director: Yan Li
Address: 25-27 Wenzhou Building, No. 89 Nanhu Road, Urumqi, Xinjiang Floor
Postcode: 830002 Tel: 0991-3333500
Shenzhen Insurance Regulatory Bureau
Director: Yu Longhua
Deputy Director: Deng Junhui Chen Feng
Address: No. 69 Nonglin Road, Futian District, Shenzhen City, Guangdong Province 9th Floor, Office Building No. 1, Shenzhen State Investment Plaza
Postcode: 518040 Tel: 0755-82531000
Dalian Insurance Regulatory Bureau
Deputy Director: Zhu Jinyuan Ren Chunsheng
Address: 23 Renmin Road, Zhongshan District, Dalian City, Liaoning Province No. Hongyuan Building
Postcode: 116001 Tel: 0411-82825866
Ningbo Insurance Regulatory Bureau
Director: Jiang Xianxue
Deputy Director: Jiang Guofu
Address: Xingning Road, Jiangdong District, Ningbo City, Zhejiang Province No. 47 Ningbo University Business Center
Postcode: 315041 Tel: 0574-87848525
Qingdao Insurance Regulatory Bureau
Director: Wang Jiajun
Deputy Director: Cai Xingxu Cao Guangzhong
Address: Donghai West Road, Qingdao City, Shandong Province 39 28th Floor, Century Building
Postcode: 266071 Tel: 0532-85799121
Xiamen Insurance Regulatory Bureau
Director: Zhang Boling
Deputy Director: Xue Jiang Ke Fulong
Address: 98 Lujiang Road, Xiamen City, Fujian Province 39th Floor, CCB Building
Postcode: 361003 Tel: 0592-8122282


Extended reading: [Insurance] How to buy, which one is better, and a step-by-step guide to avoid the "pitfalls" of insurance


Oriental Kangpai Company, the world's top ten classic piano music pictures 2

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Oriental Kangpai Company, the world's top ten classic piano music picture 3

How many veterinary drug manufacturers are there in Shanxi?


Shanxi Ruilai Biotechnology Engineering Co., Ltd. Hengfengqiang Animal Pharmaceutical Co., Ltd. Shanxi Borui Bioengineering Co., Ltd. Xinfuruiwo Biotechnology Engineering Co., Ltd. Shanxi Keweibao Group Co., Ltd. Taiyuan Keyuan Animal Pharmaceutical Co., Ltd. Shanxi Banyue Animal Pharmaceutical Jishan Kangyi Veterinary Drug Technology Development Co., Ltd. Shanxi Yixintai Biotechnology Co., Ltd. Shanxi Shuangying Animal Pharmaceutical Co., Ltd.-Oriental Divi Shanxi Ruicheng Kelong Veterinary Drug Co., Ltd. Taiyuan Hengdeyuan Animal Health Technology Development Co., Ltd. Company Taiyuan Luwei Animal Health Products Co., Ltd. Shanxi Shundu Pharmaceutical Co., Ltd. Kangjie Pharmaceutical Co., Ltd. Shanxi Changzhi Qiang Qiang Animal Pharmaceutical Co., Ltd. 1 Shanxi Jinchang Chemical Co., Ltd. Shanxi Kangpai Weiye Biotechnology Co., Ltd. Shanxi Taiyuan Shenlong Applied Technology Co., Ltd. 1 Shanxi Xioxin Animal Pharmaceutical Co., Ltd. 1 Shanxi Wenxi Kailong Veterinary Drug Co., Ltd. 2 Ruicheng County Hongbao Veterinary Drug Co., Ltd. 1 Shanxi Weishi Yukang Industrial Co., Ltd. Shanxi Longkel Biopharmaceutical Co., Ltd. 1 Taiyuan Xinaoda Animal Pharmaceutical Co., Ltd. 1 Yuncheng Kangyuan Veterinary Drug Co., Ltd. 1 Taiyuan Pet Animal Drug Factory 2 Shanxi Ruicheng Kelong Veterinary Drug Co., Ltd. Shanxi Zhengyue Chemical Pharmaceutical Co., Ltd. Shanxi Ruicheng Dayu Animal Drug Co., Ltd. Company 1 Yongji Biological Preventive Preparation Factory Shanxi Yuxiaan Aquatic Pharmaceutical Co., Ltd. Shanxi Yikang Animal Pharmaceutical Co., Ltd. Taiyuan Ofulai Animal Pharmaceutical Co., Ltd. Shanxi Hengde Jinguang Pharmaceutical Co., Ltd. Shanxi Changtai Animal Pharmaceutical Industry Co., Ltd. Yuncheng Chunlei Pharmaceutical Co., Ltd. Shanxi Shouai Chemical Pharmaceutical Co., Ltd. Shanxi Huaxing Animal Pharmaceutical Co., Ltd. Shanxi Weipeng Pharmaceutical Co., Ltd. Shanxi Ruicheng Yabao Veterinary Drug Co., Ltd. Taiyuan Zhongdongbao Biotechnology Co., Ltd. Shanxi Haike Chemical Pharmaceutical Co., Ltd. Shanxi Ruicheng County Weifu Veterinary Drug Co., Ltd. Yuncheng Jinxin Pharmaceutical Co., Ltd. Shanxi Zhongsheng Chemical Pharmaceutical Co., Ltd. Shanxi Kangde Chemical Pharmaceutical Co., Ltd. Shanxi Huahui Animal Pharmaceutical Co., Ltd. Shanxi Qiantai Animal Pharmaceutical Co., Ltd. Shanxi Zhongda Pharmaceutical Co., Ltd. Taiyuan Dixin Pharmaceutical Co., Ltd. 1 Yongji Ruipu Animal Pharmaceutical Co., Ltd. Co., Ltd. 1 Shanxi Zhenxing Yufeng Pharmaceutical Co., Ltd. Shanxi Agricultural University Department of Animal Medicine Experimental Veterinary Drug Factory 1 Shanxi Australia Danai Biotechnology Co., Ltd. 1 Shanxi Ruicheng County Second Veterinary Drug Factory (Ruicheng Jinniu Animal Pharmaceutical Co., Ltd.) Shanxi Xinkaiyuan Animal Pharmaceutical Co., Ltd. Shanxi Shengdayang Animal Pharmaceutical Co., Ltd. Shanxi Hanmeiland Biopharmaceutical Co., Ltd. Shanxi Jinke Veterinary Drug Co., Ltd. 1 Shanxi New Century Animal Health Products Co., Ltd. 1 Shanxi Haisen Biological Products Co., Ltd. Shanxi Hexin Animal Pharmaceutical Co., Ltd. 1 Shanxi Shanqi Pharmaceutical Co., Ltd. 1 Shanxi Memeke Biotechnology Co., Ltd. 1 Shanxi Nanbo Sirui Pharmaceutical Co., Ltd. Shanxi Xinhuaze Pharmaceutical Co., Ltd. 1 Shanxi Foruiwo Group Co., Ltd. Shanxi Chengchen Animal Pharmaceutical Co., Ltd.

Oriental Kangpai Company, Top Ten Classic Piano Music in the World Picture 4

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