Contents of this article
- 1. Where can I know when Wang Tao filmed the TV series "Eternal Monitor"?
- 2. Introduction to Sun Baiyuan
- 3. List of CCTV weather forecast hosts
- 4. Introduction to the dominant disciplines of Renmin University of China
Where can I know when the TV series "Forever Monitor" was filmed by Wang Tao?
"Forever Monitor" starts filming in Yinzhou
News from this newspaper (Reporter Xiong Min) On February 14, the 4-episode TV series "Forever Monitor" jointly produced by the Yinchuan Municipal Party Committee Propaganda Department and Yinchuan Municipal Television Station started filming in Yinchuan. This TV series with an investment of 700,000 yuan is based on Wang Tao, a heroic young man who sacrificed himself to save others.
Before the Spring Festival last year, after Wang Tao died heroically to rescue children who fell into the water, the Yinchuan Municipal Education Commission, the Autonomous Region Education Department and other departments awarded him honorary titles. In order to vigorously promote Wang Tao's virtues of courage and self-sacrifice to save others among students, the Propaganda Department of Yinchuan Municipal Committee specially invited Zhao Yuru, chairman of Yinchuan Writers Association, to be the screenwriter, and Wang Biao of Beijing Film Studio to be the director, to shoot this 4-episode TV series. Sun Bai, a freshman from Yinchuan No. 9 Middle School, plays Wang Tao
"Ningxia Daily" (first page, February 19, 2001)
Introduction to Sun Baiyuan
Sun Bai, associate professor, was born in Beijing in 1975. He received a master's degree in history from Peking University in 2001 and a doctorate in literature from Peking University in 2006. He currently teaches in the Film, Television and New Media Teaching and Research Section of the School of Liberal Arts, Renmin University of China. Courses taught: Brief History of Chinese Film, History of Western Film Theory, Introduction to Film and Television Art
CCTV weather forecast host list
Lines:
Hello viewers, welcome to the weather forecast. Huzhou will be cloudy tomorrow with showers or thunderstorms. Citizens are asked to bring rain gear when going out to avoid getting wet and injuring their bodies.
Tomorrow's temperature will be 20~2°C, with a large temperature difference. Citizens and friends are asked to wear more clothes in the morning and evening and pay attention to temperature changes. Tomorrow's wind will be less than level 3, and wild fires are prohibited in the forest. Finally, I wish you all a happy life. This concludes today’s weather forecast. See you tomorrow.
News Network weather forecast:
On July 7, 1980, the TV program "Xinwen Lianbo Weather Forecast" was born. Because it is broadcast closely after China Central Television's "Xinwen Lianbo" program, it is called "Xinwen Lianbo Weather Forecast".
The "Weather Forecast" program pioneered public weather services.
Introduction to the advantageous disciplines of Renmin University of China
(1) Literature and Art
The literature and art discipline of Renmin University of China started as the "Literature Research Class" founded in 1959. At that time, Zhou Yang was the honorary director, and He Qifang and He Luo were the main leaders. The "Literary Research Class" has trained a large number of academic backbones in literary and artistic theory for the country, and has made efforts to build a Marxist literary and artistic theory and criticism system with Chinese characteristics. This discipline was authorized to confer master's degrees in 1984 and doctoral degrees in 1993. It was rated as a national key discipline in 2001 and passed the national key discipline evaluation again in 2007. Since 2001, it has also recruited and trained six postdoctoral researchers.
After the long-term efforts of several generations of scholars, this discipline is based on its own tradition, characteristics and style, further condensing research directions, integrating academic resources, and based on basic theories of literature and art, Marxist literary theory, literary trends of thought and literary criticism, Based on the four major research directions of cultural studies, and extending from the two research directions of comparative poetics and Western literary theory, ancient Chinese literary theory and aesthetic culture in related disciplines, the entire discipline has reached a new level through an academic structure with complementary advantages. And take the lead to a certain extent.
In terms of basic research, this discipline adheres to Marxist positions and methods, and incorporates the latest theoretical developments into the disciplinary construction of Chinese literature and art. We have published a number of academic monographs in the research fields of Heidegger's poetics, philosophical hermeneutics, theological hermeneutics, psychoanalysis, phenomenological aesthetics and criticism, Marxist literature and art, and cultural theory and criticism. At the same time, we also focus on the modern interpretation of ancient Chinese literary theory, actively participate in the study of contemporary Chinese literary criticism and literary and artistic trends, and have achieved great expansion.
In terms of applied research, this discipline participated in the drafting of the "Overall Plan for Cultural System Reform" and the "Outline of Chinese Cultural Development" by the Propaganda Department of the Central Committee of the Communist Party of China. The theoretical research on the cultural industry has also had a certain impact on the development of the national cultural industry. .
In terms of the construction of academic platforms, this discipline has held many high-profile international and domestic academic conferences and conducted frequent academic exchanges. This discipline has also long-term sponsored three academic journals such as "Marxist Literary Theory Research", "Problems" and "Cultural Studies", and edited two academic monthly journals "National People's Congress Copied Newspaper and Periodical Materials", "Literary Theory" and "Cultural Studies".
(2) Linguistics and Applied Linguistics
The Linguistics and Applied Linguistics discipline of Renmin University of China was founded in the 1950s by Comrade Wu Yuzhang, an older generation revolutionary, educator, and linguist. It is hosted by Professor Hu Mingyang for a long time. In 1981, the first batch of universities were granted the right to confer master's degrees, and later were granted the right to confer doctoral degrees, forming a complete talent training system from undergraduate to postdoctoral. Famous scholars such as Hu Mingyang, Qu Aitang, Guo Jinhuan, Tao Sha, Lin Xingguang, etc. are all engaged in teaching and scientific research here, laying a solid foundation for discipline construction. Since its establishment, this discipline has cultivated a group of accomplished linguistics professionals and achieved a series of research results with important academic impact. Together with the discipline of Chinese Linguistics and Philology, he co-sponsored the academic journal "Language Essays" and edited the printed newspaper materials "Language and Philology" of Renmin University of China.
The important achievements in the theoretical research direction of linguistics in this discipline include: Hu Mingyang's "Language and Linguistics", "Selected Readings of Western Linguistics Masterpieces" (Editor-in-Chief), "Ge Bian" (Translation), "Introduction to Lexicography", " Grammar and Grammatical System", "Hu Mingyang Linguistics Essays", "Investigation of Parts of Speech Issues" (Editor-in-Chief), Guo Jinhuan "Comprehensive Phonetics", "Essays and Explorations of Chinese Tone and Intonation", Qu Aitang "Theory of Sino-Tibetan Language Research" and Methods" (co-authored with Jin Song), He Yang "Looking at Indirect Language Contact from the Europeanization Phenomenon in Modern Chinese Prepositions", "The Rise and Development of Modern Chinese DV Structure and the Influence of Indo-European Languages", Jin Song "Modern Chinese Soft Voice Dynamics" Research", Luo Feng's "Construction of Saussure's Linguistic Theory from the Perspective of System Theory", etc.
The important achievements in the dialect and sociolinguistics research direction of this discipline include: Hu Mingyang's "A Preliminary Study of Beijing Dialect", "Modal Particles and Interjections in Beijing Dialect", "Five Surveys on the Phonetics and Vocabulary of Beijing Dialect", "Beijing Dialect" Dialect Research" (Chief Editor), "Haiyan Dialect Chronicles", "Existential and Static Sentences in Haiyan Dialect", Xie Zili's "Tianzhen Dialect Chronicles", Guo Jinhuan "Chinese and Chinese Traditional Culture", He Yang "Beijing Niujie Area" "Loanwords in Hui Dialect", "A Survey of Beijing Dialect among the Niujie Hui People in Beijing", Jin Song's "The Linguistic Significance of Interlanguage Rigidity", "Tongue-Textualization of Front High Vowels in Changzhou Dialect", Wu Yonghuan's "Linyi Dialect Chronicles", etc.
Important achievements in the research direction of applied linguistics in this discipline include: Hu Mingyang's "Issues on the Compilation of Basic Textbooks for Teaching Chinese as a Foreign Language", Qu Aitang's "Bilingualism and Bilingual Research", Li Dazhong's "Analysis of Grammatical Errors in Foreigners Learning Chinese", and Li Dazhong's "Analysis of Grammatical Errors in Foreigners Learning Chinese". Quan "Theoretical Thoughts on Teaching Chinese as a Foreign Language", "Construction of Grammar System for Teaching Chinese as a Foreign Language Based on Style", Luo Qingsong "Research on Teaching Chinese Writing as a Foreign Language", "Characteristics and Principles of Teaching Chinese Writing as a Foreign Language", Zhang Weiguo "Basic Mathematical Statistics in Chinese Studies" Methods", "ICON Tutorial", "Three Meanings, Three Types of Attributives and Three Slots", "The Correspondence between Attributive Types and Slot Relationship Types and Their Effect on Noun Semantic Analysis", etc.
There are currently 5 professors, 5 associate professors and 4 lecturers in this subject. Currently undertaking one major research project of the Ministry of Education ("Research on the International Promotion of Chinese"), one project of the National Social Science Foundation ("Research on the Syntax and Semantics of Monophyllable Adjectives in Modern Chinese"), and one project of the Social Science Fund of the Ministry of Education ("Indirect Language"). Case investigation and theoretical research on contact"), one of the "10th Five-Year Plan" scientific research planning projects of the National Leading Group Office for Teaching Chinese as a Foreign Language ("Research on Chinese Style for Teaching Chinese as a Foreign Language").
(3) Chinese Philology
The discipline of Chinese Philology is one of the basic disciplines of "Chinese Language and Literature". The founder of the discipline is the first president of Renmin University of China and an outstanding proletarian revolutionist and educator in my country. , linguist Wu Yuzhang. In 1928, Wu Yuzhang started the work of creating a new Chinese Latinized script in the Soviet Union with Qu Qiubai, Xiao San, Lin Boqu and others, and formulated the "New Chinese Latinized script". After the new writing was produced, Wu Yuzhang and others used the new writing to promote literacy among Chinese workers in the Soviet Far East. Soon, the new script was introduced into the country, and a movement to learn the new script was launched across the country. After the outbreak of the Anti-Japanese War, Wu Yuzhang returned to China and served as the president of the New Character Association of the Shaanxi-Gansu-Ningxia Border Region and the principal of the New Character Cadre School in Yan'an. He used the new characters to eliminate illiteracy and improve culture in the border areas and various anti-Japanese base areas. After the founding of the People's Republic of China, Wu Yuzhang successively served as the president of the Chinese Character Reform Association, deputy director of the Chinese Character Reform Research Committee, and director of the Chinese Character Reform Committee, directly leading the national character reform work. Wu Yuzhang has formed his own set of theories on Chinese character research and character reform during decades of practice in Chinese character research and character reform, which has had a profound impact in the fields of Chinese character research and character reform. In February 1960, Renmin University of China established the Institute of Chinese Language and Characters, with President Wu Yuzhang serving as its director for a time. As the earliest language and character institute established in New China, it laid a good foundation for the development of the Chinese language and characters major. The institute is now part of the Faculty of Arts.
This discipline has formed four branches: philology research, phonology research, lexicology research, and grammar research:
Important achievements in the philology research direction include: Wu Yuzhang's "Collected Works on Character Reform", Song Yongpei's "Shuo" "Chinese Character System Research Method", Wang Guiyuan's "Research on the Configuration System of Chinese Characters in Mawangdui Silk Script" (won the 6th Beijing Outstanding Achievement Award for Philosophy and Social Sciences), "Chinese Characters and History and Culture", "Shuowen Jiezi" Notes", Ji Xiaojun's "On the " " character in oracle bone inscriptions expressing prayer for meaning", "Supplementary explanation of "Xingtian"", Li Luxing's "Synopsis of Modern Chinese Character Studies", "On the Elements of Modern Chinese Characters".
Important achievements in the research direction of phonology include: Chen Fuhua's "Comprehensive Understanding of Ancient Rhymes" (co-author), "Basics of Chinese Phonology", Liu Guanghe's "Comparative Study of Phonology", Zhao Tong's "Research on the Phonology of Chu Dialect in the Warring States Period", " "Several Issues on the Evolution of Tibetan Initial Consonants", Gao Yongan's "Research on the Sounds of Southern Anhui in the Ming and Qing Dynasties", Zheng Linxiao "Research on the Sound System of "The Name of Seal and Li Wanxiang"".
Important achievements in the research direction of lexicon include: Song Yongpei's "Shuowen" and the Study of Literary Meanings, "Shuowen" and the Study of Ancient Chinese Word Meanings, "Research on the Systematic Study of Ancient Chinese Word Meanings", Han Chenqi's "Chinese Envy" "Research on Yu Phenomenon", "Manuscript of Chinese Vocabulary", "Chinese Metaphoric Dictionary", Zhu Guanming's "New Horizons in the Study of the History of Chinese Vocabulary", "Looking at the Formation of "Self" from Medieval Buddhist Classics".
Important achievements in the research direction of grammar include: Zhou Shengya's "On the Reasons for the Complexity of Personal Pronouns in Ancient Chinese" and "Grammar of Ancient Poetry", Chu Yong'an's "Complex Function Words in Classical Chinese", Yin Guoguang's "Study on the Parts of Speech in "Lu's Spring and Autumn Annals"" ( Won the second prize of the 7th Peking University Wang Li Linguistics Award, the third prize of the 2nd National Higher Education Institutions Award for Outstanding Achievements in Humanities and Social Sciences), "Research on Ancient Chinese Grammar", Li Lin's "Analysis of Ancient Chinese Grammar" (won the Beijing Second Prize of the Fifth Municipal Philosophy and Social Sciences Outstanding Achievement Award), Long Guofu's "Research on Auxiliary Words in Yao Qin's Translation", etc.
This discipline has undertaken a number of national, provincial and ministerial-level projects over the years, and has also edited, together with the linguistics and applied linguistics disciplines, the National People's Congress's printed newspaper materials "Language and Philology" monthly and "Language Essays".
(4) Chinese Classical Philology
The discipline of Chinese Classical Philology became an independent institution after 1998, gradually began to train master's and doctoral students, and undertook a number of national, provincial and ministerial level research projects. This subject includes two research directions:
1. Research on handed down language and literature documents. Important achievements include "Shuowen Jiezi" Collation Notes, "Taiping Guangji Edition Review", "Wumeicun Chronicle", annotated editions of "Ouyang Xiu's Complete Works (1-6)", "Basics of Reading Ancient Books", etc.
2. Collation and research of unearthed documents. The content includes research on the author, era, content, and inheritance relationship of documents; collation, punctuation, and annotation of unearthed documents; research on the language and characters of unearthed documents; compilation of dictionaries, dictionaries, and glyph tables of unearthed documents; comparison of unearthed documents and handed down documents, etc. Important achievements include "Research on the Formation System of Chinese Characters in Mawangdui Silk Scripts", "Organization of Unearthed Documents and Texts", "Methods of Representation of Materials and Quantifiers on Chu Bamboo Bamboo Slips of the Warring States Period", "Explanation and Interpretation of Chinese Bamboo Slips in Zhangjiashan", " "Material quantity expression and quantifiers in Han Dynasty bamboo slips", "Zhangjiashan Han bamboo slips and "Shuowen" combined evidence", "Research on Turpan Documents "Cangjie Chapter"", etc.
(5) Ancient Chinese Literature
Ancient Chinese literature is one of the basic disciplines of "Chinese Language and Literature". The founders of the discipline are famous scholars of the older generation, such as Xie Wuliang and Feng Qiyong. Mr. Xie Wuliang's "History of Chinese Literature" is one of the earliest literary history works in my country and has had a huge influence. "Selected Works of Ancient Literature" edited by Mr. Feng Qiyong in the 1960s was originally a textbook for the Chinese Department. After its publication, it became very popular and was constantly reprinted, becoming an ancient literature reading book that has influenced generations of people.
After the 1980s, this discipline has been granted the right to confer master's and doctoral degrees, and the discipline construction has been further strengthened. Professor Feng Qiyong's "On Gengchen Edition", "A New Examination of Cao Xueqin's Family History", "Research on the Stone Notes on Fat Edition", "On the Thoughts of the Dream of Red Mansions", "Guafanlou Re-editing and Criticism of the Dream of Red Mansions" and other works on red studies are well-known at home and abroad. This established his status as a master of red learning. Professor Zhu Jinghua has become an important figure in the field of Su Shi research. His "New Commentary on Su Shi", "On Su Shi", "Comprehensive Interpretation of Su Dongpo's Fables", etc. have received widespread attention and praise. In addition, the new 100-chapter edition of "Water Margin" edited by Professor Li Yonghu (published by Zhonghua Book Company) was hailed as the best edited edition by the academic community; his paper "Questioning the "Jiajing Theory" of the Completed Water Margin" won the Outstanding Award of the China "Water Margin" Society in 1987 Essay Award. Professor Wu Xiaolin has conducted in-depth research on Tang and Song Dynasty prose, and has written "Eight Masters of Tang and Song Dynasty", "Liu Zongyuan's Prose Art", "The Biography of Wang Anshi", etc.
Since 2000, this discipline has gradually completed the replacement of old and new academic teams, forming three increasingly mature disciplines: "Ancient Chinese Literature and Traditional Culture", "Ancient Chinese Literature and Classical Documents", and "Ancient Chinese Literary Theory" Research direction, and presided over 4 National Social Science Fund projects and 7 provincial and ministerial level projects.
The landmark achievements in the direction of "Ancient Chinese Literary Theory" in this discipline include the five-volume "History of Chinese Literary Theory" completed by Cai Zhongxiang, Huang Baozhen, and Cheng Fuwang, which took nine years to complete (the book won the first Humanities and Social Science Research Award in National Universities First Prize for Outstanding Achievements, the Second Beijing Outstanding Achievement Award for Philosophy and Social Sciences), "Chinese Aesthetics Category Series" edited by Cai Zhongxiang, Cheng Fuwang and others, Cheng Fuwang's "Humanities and Aesthetics in Ancient China", "China "Theory of Art and Literature", "The Wandering of Gods and Things", Yuan Jixi's "Aesthetics of the Six Dynasties", "The Voiceless Sound of the Six Dynasties" (won the 5th National Book Award), "The Spiritual World of the Two Han Dynasties", Zhan Hanglun's "Research on Fu Theory in the Qing Dynasty", "Fang Hui's Poetry of the Tang and Song Dynasties", Lin Xianghua's "Zen Buddhism and the Theory of Poetry of the Song Dynasty", etc.
Representative results of this discipline in the direction of "Ancient Chinese Literature and Traditional Culture" include Li Binghai's "Taoism and Taoist Literature" (won the National University Press Outstanding Academic Work Award), "National Integration and Ancient Chinese Literature" ", "The Life Consciousness of Pre-Qin and Han Dynasty Literature", "Tribal Culture and Pre-Qin Literature" (won the first prize of Jilin Province Excellent Social Science Award), "The Emotional and Reasonable World of Han Dynasty Literature", "Su Shi's Philosophical Views and Literary Views" by Leng Chengjin , "The Tension of Literature and Culture", "The Hermit and Liberation", "The History and Aesthetics of Chinese Literature", Zhuge Yibing's "A Textual Research on Literature and History of the Song Dynasty", "Study on the System of Prime Ministers and Assistants in the Song Dynasty", "Study on Huizong's Ci Circle", Wang Xin's "History and Narration of Storytelling Novels", "Three Words and Two Patterns", etc.
The important achievements of this discipline in the direction of "ancient Chinese literature and classical documents" include Zhang Guofeng's "Review of the Edition of Taiping Guangji", "A Trial Commentary on The Scholars", and "The Scholars" and its era", "The Dilemma of Tradition", Ye Junyuan's "Chronology of Wumei Village", "Critical Biography of Wu Weiye", "The First Poetic Circle of the Qing Dynasty", "Ancient Chinese Style Series Poems", Wang Yan's "Late Qing Novels" "Journal History" etc. This discipline also edits the monthly academic journals "Reported Newspapers and Periodicals Materials of the National People's Congress" and "Research on Ancient and Modern Chinese Literature".
(6) Chinese Modern and Contemporary Literature
The establishment of the Chinese Modern and Contemporary Literature discipline can be traced back to Professor Cai Yi’s "New Literature Speech" published in 1950. It is the earliest "Chinese Modern and Contemporary Literature Discipline" in the country. One of the first batch of literary history textbooks. Professors Wang Jinding and Lin Zhihao are the founders of the discipline. In 1960, the first draft of "History of Modern Chinese Literature" edited by Professor Lin Zhihao and participated by teachers from the Modern and Contemporary Literature Teaching and Research Section came out; in 1979, the revised textbook of the same name was published again, along with "History of Modern Chinese Literature" by Tang Liao___SIMPLE_HTML_DOM__VOKU__PIPE____ and Yan Jiayan It was the most commonly used textbook by domestic universities at that time. After the efforts of two generations of scholars, by the 1980s, this discipline had developed into one of the few influential discipline groups in the country with complete professional directions, orderly echelons, and professional disciplines.
In 1981, this discipline obtained the first batch of master's degree granting rights and recruited more than 20 batches of master's degree students, including master's degree students from Japan and South Korea. After 2002, it began to recruit doctoral students in the direction of "Modern Literary Trends of Thought"; after 2006, it expanded to three professional directions: "Modern Chinese Literature", "Contemporary Chinese Literature" and "Modern Literary Trends of Thought".
From the 1960s to the 1980s, the more advantageous research fields of this discipline were "Lu Xun Studies" and "Literary History Studies." Among them, the landmark academic achievements are Lin Zhihao's "The Biography of Lu Xun" and "History of Modern Chinese Literature" (editor-in-chief). In addition, there are Zhao Xiaqiu's "History of Modern Chinese Novels", "The Biography of Xu Zhimo", Zhang Huizhu's research on Lao She, Yan Huandong's research on Guo Moruo, Ma Dejun, Wang Qingbo's new history of Chinese poetry and contemporary poetry research, etc. These achievements have contributed to the development of this discipline.
After 1995, the discipline began to change its ranks from old to new, and all current teachers hold doctorates in literature. On the basis of maintaining its original advantages, this discipline has added research fields such as "Shanghai-style culture and Shanghai-style literature", "New Chinese poetry history", "Literature from the 1940s to the 1970s" and "Issues in the literary history of the 1980s". Gradually, an academic team covering the three professional directions of this discipline and having great influence has been formed.
After the 1990s, this discipline has completed a number of important academic works and academic papers. Among them, Cheng Guangwei's "The Biography of Ai Qing", "Cultural Transition", "History of Contemporary Chinese Poetry", Li Jin's "Shanghai Culture and Shanghai Style Literature", "Chinese Translation of Russian Literature in the 1930s" and other works are more representative. The results are often cited and quoted in many related papers; the works of young scholars such as Sun Minle, Yao Dan and Zhang Jieyu include "The Change of Literary Language in the Late Qing Dynasty and the Early Republic of China", "Literary Activities during the Southwest Associated University Period", "Lilacs on the Wasteland", etc. , and also attracted more attention from the academic community. In addition, "History of Modern Chinese Literature" edited by teachers of this subject together with several scholars from Peking University, Fudan University and Beijing Normal University has been included in the Ministry of Education's "Curriculum Textbooks for the 21st Century" and the "Eleventh Five-Year Plan Textbooks", becoming one of many domestic It is a required course textbook and postgraduate entrance examination reference book for the Chinese Department of universities and many key universities, and has been listed as a textbook and reference book by some universities in Japan, South Korea, and Taiwan. "Appreciation of Chinese and Foreign Poetry" and "Creation and Research of New Poetry" taught by Professor Wang Jiaxin to all students in the school and graduate students in the department have become one of the highlights of the newly added "Creative Writing" courses in this discipline.
This discipline has hosted and completed 3 National Social Science Fund projects and 4 provincial and ministerial fund projects (including key projects). Among them, he won 1 provincial and ministerial award and 2 "Annual Outstanding Paper Awards" from core academic magazines. This discipline also edits the monthly academic journals "Reported Newspapers and Periodicals of the National People's Congress" and "Research on Modern and Contemporary Chinese Literature".
(7) Comparative Literature and World Literature
The discipline of Comparative Literature and World Literature was established in the 1960s by older generation scholars such as Miao Langshan, Zhao Li, Mao Yumei, and Wang Jinling. At that time, it was the first to cultivate It is a tutoring institution for postgraduate students. In 1963, it began to recruit postgraduate students in "History of Foreign Literature and Art Theory". In 1981, it became one of the first three "World Literature" master's degree programs in universities across the country. After 1996, it began to recruit doctoral students in the directions or majors of "Western Literary Theory", "Comparative Poetics", "Comparative Literature and World Literature"; in 2005, it established an independent doctoral program; in 2008, it was rated as a key discipline in Beijing.
After the efforts of several generations of scholars, the discipline’s three research directions: “Comparative Poetics and Western Literary Theory”, “Comparative Literature and European and American Literature”, and “Comparative Culture and Art Criticism” have become increasingly mature and gradually formed It has formed an academic team that is proficient in foreign languages (including English, French, German, Russian, Japanese, Greek, Latin and other languages), has specialized academic fields, and has extensive influence at home and abroad.
All current teachers in this subject have long-term study or research experience abroad, and 3 of them have obtained doctorate degrees abroad; completed academic achievements include 2 English books, 1 German book, and A&HCI retrieval 5 papers. At the same time, this discipline also hosts 8 national social science fund projects, 9 provincial and ministerial level projects, and 4 international cooperation projects; it has won 2 national awards and 6 provincial and ministerial level awards; it also hosts the academic journal "Journal of Christian Culture" (18 editions published and included in the CSSCI core journal database since September 2005), "Dialogue" (2 editions published), and editor-in-chief of the academic monthly "Reported Newspaper and Periodical Materials of the National People's Congress" and "Foreign Literature Research".
The landmark achievements of this discipline in the translation and introduction of Western original texts include "Collection of Miao Lingzhu's Aesthetic Translations" (four volumes) edited by Zhang Anqi, "Aestheticism" and "Symbolism·Image" edited by Zhao Li, Xu Jing'an, Huang Jinkai and others. "Research Series on Foreign Literary Schools", "Futurism·Surrealism", "Absurdism", etc., "History of Modern Literary Criticism" translated by Zhang Anqi and Yang Hengda; and "Collected Works of Nietzsche" translated by Yang Hengda in recent years, "Western Literature and Christian Book Series" and "Contemporary Hermeneutics Translation Series" edited by Yang Huilin, "The Complete Works of Rimbaud" translated by Wang Yipei, "Derrida: Deconstruction and the Future of Thought" and "Jean-Luc" compiled by Xia Kejun ·Nancy: Deconstructed Community" etc.
The representative achievements of this discipline in the study of the history of literature and literary theory include "Compendium of Foreign Literature" edited by Zhao Li, Huang Jinkai and others, "Criticism Course of Foreign Literary Masterpieces" edited by Zhang Anqi and Liang Kun, Yang Huilin, "History of European Medieval Literature" co-authored by Huang Jinkai (won the second prize of the 6th National Press and Publication Administration's Outstanding Foreign Literature Award), Liang Kun's "History of Russian Writers in the 20th Century", "Apocalypse and Redemption - Theme of Russian Literature in the 20th Century" Interpretation of Religious Culture", Fan Fangjun's "Chinese and Foreign Modern Drama in the 20th Century", "History of Western Literary Theory" co-authored by Zhang Bingzhen, Zhang Anqi and Yang Huilin (won the second prize for the third outstanding textbook for colleges and universities by the Ministry of Education), Zhang Anqi, Huang Kejian, "History of Western Literary Theory: From Plato to Nietzsche" co-authored by Yang Huilin. On this basis, Yang Huilin, Zhang Anqi, Huang Kejian, and Geng Youzhuang’s “Curriculum Construction of Western Literature and Art Theory History” won the first prize for Beijing’s outstanding teaching achievements in 2004 and the second prize for national outstanding teaching achievements in 2005.
This discipline also gives full play to the comparative advantages of interdisciplinary research, and gradually forms its own series of special research treatises from the perspectives of art and religion. Such as Yang Huilin's "Theological Hermeneutics", "The Background and Cultural Extension of Christianity", "Moving Boundaries", "Memory in Ruins", Yang Hengda's "Poetic Rebellion", Geng Youzhuang's "Visual·Body·Text", "Broken Traces of "The Myth of Writing", Lei Libo's "Ancient Greece, Rome and Christianity", "On the Big and Small of Christianity", Xia Kejun's "Illusion and Life", etc. Foreign language achievements in thematic research include Yang Xusheng Immanente Transzendenz: Eine Untersuchung der Transzendenz-erfahrung in der antiken chinesischen Religiositat mit Berucksichtigung des Konfuzianismus (Tubingen University Press, Germany, 2004), Yang Huilin Christianity in China: the Work of Yang Huilin (U.S.A. M. E. Sharpe, Inc., 2004), Sino-Christian Studies in China (co-edited, Cambridge Scholars' Press, 2006), etc.
(8) Film Studies
In order to adapt to the new development pattern of contemporary film and television culture, the School of Liberal Arts reintegrated the research strength of film, television and new media art on the basis of the original literature and art disciplines, and established the Film, Television and New Media Art Research Center in December 2004. Media Arts Teaching and Research Section. This discipline officially obtained the right to award a master's degree in film studies in February 2007. Since 2008, it has begun to recruit postgraduate students in film studies. This subject has: 2 professors, 2 associate professors, and 1 lecturer.
This subject is one of the majors with the greatest development potential in the School of Liberal Arts. It has a group of experts and scholars who have long been engaged in the teaching and research of film, television and new media. Among them, Professor Pan Tianqiang and Professor Xu Peng have chaired or participated in a number of major national, provincial and ministerial level scientific research projects, and have achieved fruitful scientific research results. Young and middle-aged teachers such as Dr. Chen Yang and Dr. Sun Bai have published many important papers in core domestic journals and published their own academic monographs. Scientific research is based on the basic theory and criticism of film and television. On the basis of solid historical theory and critical research, it pays attention to and tracks the important impact of contemporary high-tech media methods on audio-visual art, and pays attention to and tracks new art forms represented by audio-visual media. The impact of its spread and development on social and cultural construction. Study the symptoms and characteristics of the above-mentioned cultural phenomena and give an in-depth summary from a theoretical perspective in a timely manner.
Although this subject started late, it has achieved great results in recent years. The teachers of this subject have published monographs and textbooks such as "A Concise Tutorial on New Western Films" (a postgraduate teaching book approved by the Ministry of Education and a key national textbook for the 11th Five-Year Plan), "On New Media Art" (a key national textbook for the 11th Five-Year Plan), and "TV Series: "Walking between Literature and Art - Research on TV Drama Issues After 1990", "Resurrection of the Harlequin - Revaluation of the Value of Western Drama Culture", etc. He has participated in a number of national and provincial scientific research projects, such as: "Theory and Practice of Film and Television Criticism" (National Social Science Fund), "The Communication Mechanism and Aesthetic Characteristics of Online Literature and Art" (the "Tenth Five-Year Plan" Project of the Ministry of Education), etc.
This subject has three key research directions:
* Research direction one: film history and film theory
This direction involves the knowledge system of film history and film theory. Film history includes the history of Chinese films and the Chinese language of Hong Kong, Macao and Taiwan. The development history of various stages of film and contemporary aesthetic characteristics. The history of foreign films includes the history of Western films and the various stages of national film history and the development status of contemporary films. The history of Eastern films and the research on Japanese, Korean, Indian, and Iranian films. White space can serve as an object of focus. Film theory involves the theoretical interpretation and debate of film itself as well as the aesthetic interpretation of film theory from related disciplines.
* Research Direction 2 Film and Television Criticism and Production Research This direction 1. Research on the theories and methods of film and television criticism and appreciation from different perspectives such as aesthetics, literature, ideological trends, images, and audiences, and explore their aesthetic standards and aesthetics characteristic. 2. Production theory includes: (1) Film and television drama theory such as literary nature, originality, narrative, composition of drama, characteristics of video drama, etc. (2) Theoretical research on the history and current situation of all aspects of film and television production, including management, regulations, publicity, planning, production, sales, statistics, etc.
* Research direction three: cultural forms of film, television and new media
Cultural forms indicate that this direction is based on film and focuses on higher and broader research levels, such as ideology, politics, history, semiotics, phenomena Science, sociology, psychology, ethics, economics; film and television and new media indicate that the research scope of this direction focuses on the new communication methods of film and television and their impact on society, such as the Internet, digital technology, animation, games, language conversions, two-way interactions, etc.
Cultivating first-class talents and creating first-class academics - this is the unswerving goal of the School of Liberal Arts of Renmin University of China.
Putting students first, emphasizing both moral integrity and talent, putting scholars first, integrating knowledge and practice, being academic-oriented, and interacting with teaching and scientific research—this is the educational philosophy that the School of Liberal Arts of Renmin University of China wholeheartedly adheres to.
The School of Liberal Arts of Renmin University of China will always open itself to welcome heroes from all over the world and talents from all directions.
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