Body
Contents of this article
- 1. Resume of Urumqi Li Yanjun
- 2. Who are the experts with the most expensive appearance fees for antique treasure appraisal experts?
- 3. Li Yanjun’s personal resume
- 4. Introduction to antique appraisal expert Wang Xinhua
Resume of Urumqi Li Yanjun
1994.09 — 1998.06 Student at the Journalism Department of Sichuan Normal University (now West China Normal University)
1998.07 — 1998.09 Worked at the Mianyang Radio and Television Newspaper Office 1998.09 — 1999.09 Police trainee at the Mianyang Public Security Bureau Office of Sichuan Province <x3 <x3 > 2008.10 — 2009.12 Deputy Director (in charge of work) of the Command Center of Mianyang Public Security Bureau, Sichuan Province 2009.12 — 2011.11 Director of the Command Center of Mianyang Public Security Bureau, Sichuan Province 2011.11 — 2013.02 Sichuan Province Director of the High-tech Zone Bureau of Mianyang Municipal Public Security Bureau 2013.02 — 2013.08 Member of the Party Working Committee of the High-tech Zone of Mianyang City, Sichuan Province and Director of the District Public Security Bureau (clearly designated as a deputy county-level leading cadre) 2013.08 to present Sichuan Deputy District Chief and Director of the District Public Security Bureau of Youxian District, Mianyang City.
Who are the experts with the most expensive appearance fees for antique appraisal experts?
1. Ma Weidu Appearance fee: RMB 500,000 for two hours
Ma Weidu was born in Beijing on March 22, 1955. His ancestral home is Rongcheng City, Weihai City, Shandong Province. He is a cultural scholar, founder and current director of the Guanfu Museum.
2. Geng Baochang’s appearance fee is RMB 300,000 per hour
Geng Baochang, male, was born in Beijing in 1922. His ancestral home is Shulu, Hebei Province. He is an expert in cultural relics appraisal, recipient of special government allowances, member of the Academic Committee of the Palace Museum, and deputy director of the National Cultural Relics Appraisal Committee. Chairman, member of the Advisory Committee of the State Administration of Cultural Heritage, honorary president of the Chinese Ancient Ceramics Society, consultant to the Museum of Chinese History, consultant to the Capital Museum, and chairman of the Appraisal Committee of the Yanhuang Art Museum. He has been engaged in the research of ancient Chinese ceramics and other ancient handicrafts for a long time, focusing on the study of ceramics of past dynasties.
3. Yang Boda, appearance fee of RMB 500,000 for two hours
Yang Boda, male, Han nationality, born in 1927, originally from Penglai, Shandong. Research Librarian, Palace Museum. Graduated from the Fine Arts Department of North China University in 1948. He was transferred to the Palace Museum in 1956 and retired in 1997. He has specialized in art cultural relics and art history for more than 40 years.
4. Ye Wencheng, appearance fee is 100,000 a day.
Ye Wencheng, a native of Nan'an, Fujian Province, graduated from the History Department of Xiamen University in 1956. Professor Ye has long been engaged in research on ancient Chinese ceramics and ancient export ceramics. Professor Ye is a senior professor at Xiamen University and has profound attainments in ceramic identification and archaeology. Professor Ye’s noble character is deeply appreciated by teachers and students. His major works include "Collection of Research Papers on Ancient Chinese Export Porcelain", "Fujian Ceramics" (co-author), "The Light of Ceramics" (co-author), and more than 80 papers.
5. Lei Congyun, appearance fee is 100,000 per day
Lei Congyun, male, born in 1939, Han nationality, National Museum of China, former director and researcher of China Cultural Relics Exchange Center.
6. Li Jianchen’s appearance fee is 350,000 per day
Li Jianchen, executive secretary of Shanghai Art Finance Chamber of Commerce, director of Shanghai Art Finance Chamber of Commerce Consulting and Appraisal Expert Committee, gold medal winner of Asia’s Outstanding Art Appraisal Appraisal and global art appraisal Appraiser "Woodman" Gold Medal.
7. Zhai Jianmin, appearance fee is 200,000 per day
Zhai Jianmin, male, born in 1961, is the owner of Yongbaozhai in Hong Kong. Famous porcelain connoisseur and antique broker.
8. Wang Xingping, appearance fee is 200,000 per day.
Wang Xingping, researcher, secretary-general of the Chinese Ancient Ceramics Society. Since 1973, he has served in the Nanjing Municipal Cultural Relics Preservation Committee as a cultural relic appraisal and cultural relic catalogue. In 1978, he served as deputy director and director of Nanjing Museum Business. In 2000, he served as the director of the Museum Division of the Nanjing Municipal Cultural Relics Bureau, and later served as the director of the Nanjing Cultural Relics Research Institute, responsible for the identification of cultural relics and the supervision of the cultural relics market in Nanjing. In 2010, he prepared and served as the director of Jiangning Textile Museum. In 2012, he prepared and served as the director of the Nanjing Dabaoen Temple Ruins Museum.
9. Wang Liying, appearance fee is 200,000 per day.
Wang Liying (1938~) is from Beijing. He is currently the president of the Chinese Ancient Ceramics Society and a research librarian of the Palace Museum.
10. Zhu Renming’s appearance fee is 100,000 per day
Li Yanjun appraisal expert's resume
Today’s ancient mechanism silver coin appraisal experts are not professional, which is disappointing!
I have seen videos of Li Yanjun and other experts appraising ancient silver coins. To be honest, they really don’t understand ancient silver coins. Their so-called appraisal is pure deception! (I would say this even in front of them and the media).
In fact, the most critical point in the identification of ancient machine-made silver coins depends on the process of forming the outer teeth with the coin surface at one time, that is: the outer teeth of the genuine machine-made silver coins are extruded into the mold and molded with the whole coin at one time (this The technology was an official minting state secret at that time. Because the tooth grooves are high at both ends and low in the middle, if the entire coin is cast at once and the edge teeth are squeezed into the mold, the imitator will not be able to demould. Therefore, there is still no high imitation that can achieve this. Do it! ), each edge tooth of a genuine silver coin is composed of a variety of exquisite cast tooth shapes, with full pressure and natural transition; due to the random forming characteristics of the stamped tooth ends of large machine tools, the pressure seams at the tooth ends are random and soft but not uniform. The overall shape is regular, but the details of the shape are different; the transition arc between the outer teeth and the coin surface is solid and rounded, the lines are natural and smooth, the casting characteristics are obvious, and there are no traces of secondary processing; the main teeth and clamping teeth are all extruded into the mold. , solid and full, smooth and round! The whole coin is completed in one go, seamlessly integrated! It is important to emphasize that all the secondary edge processing of machine-made silver coins is actually an imitation process, and all the shoulder and file edges are undoubtedly fake coins. The so-called "rolling" is even more ridiculous!
Every time experts such as Li Yanjun put the cart before the horse in their so-called appraisals, they ignore the root and chase the last! Ignore the most critical point that the outer teeth of machine-made silver coins and the surface of the coin are cast and molded at one time (I think in fact, they don’t understand the casting process of official machine-made silver coins at all, let alone distinguish between true and false, they are just pretentious! ), they are still using the old and outdated methods to make so-called judgments based on the coin’s material, coating, records, coin surface patterns, fonts, coin surface pressure, etc. However, with the improvement of today’s imitation technology, these so-called characteristics In fact, this is what contemporary high imitations can do. The identification of the authenticity of ancient machine-made silver coins has lost its practical significance, let alone using them as an ironclad basis for identification of authenticity! Brick experts are stuck in the past and do not keep pace with the times. They are still using these outdated traditional methods to conduct silver coin appraisals. The appraisal conclusions they draw are naturally inaccurate, unscientific, and untenable! I hope collectors will do their homework and not be fooled by collectors into mistaking the genuine product and mistakenly hoarding imitations!
It should be emphasized that just because someone wears a Tang suit on TV does not necessarily mean he is a real expert!
Introduction to antique appraisal expert Wang Xinhua
Wang Xinhua, male, 56 years old, from Wuhan, Hubei. An expert in the identification of modern Chinese cultural relics and a member of the Chinese Calligraphers Association. This is a well-known name in the field of Chinese cultural relics appraisal. He has been engaged in the appraisal of cultural relics and antiques for more than 40 years. He has published "Guide to Identification of Treasures", "Antiques and Collections", "Ode to Afang Palace in Wang Xinhua's Official Script", and "Records of Passing Clouds - Wang Xinhua" He has written more than 20 books such as "On Antique Appreciation" and is known as a "highly productive expert" in the field of cultural relic appraisal. Main achievements: won the first Oriental Celebrity Achievement Award in 2003, the Outstanding Chinese Contemporary Artist in 2008, and the Purple Golden Flower Award in 2005.
Guangdong TV has brought Wang Xinhua’s name into thousands of households, and he has been modestly saying that he needs to keep learning and making progress. Looking back on his life path, it is not difficult to find that his life seems to have been inextricably linked with cultural relics and antiques, or to be more precise, he has never left this industry for a moment as an adult.
Today, let us get to know this leader in China's treasure appraisal industry and share his growth path.
He started out with two CCB 1-yuan commemorative coins. From collecting stamps to porcelain and antiques, he collected nearly a thousand collections, with an initial estimated value of tens of millions of yuan. He is 56-year-old Wang Xinhua (pictured), who is a well-known "leak-picking expert" in Wuhan's collection circles.
Buy imitations and gain knowledge
At first, Wang Xinhua, who played with stamps, did not understand the market and often suffered losses and was fooled. After many losses, Wang Xinhua spent 3 hours every night learning philatelic knowledge by himself, and participated in stamp exhibitions or exchange activities inside and outside the province many times to observe and learn, and with perseverance, he gradually became an expert from a novice.
In 1998, he bought an exquisite purple clay teapot in Wuhan. Later, after a connoisseur's inspection, I found out that it was an imitation. “Obviously it’s not easy to buy genuine products, so it’s better to buy some imitations and learn more about identification. "Wang Xinhua faced the matter with a positive attitude.
During the interview, he took out two small bowls and told reporters, "These two bowls are the same to people who don't understand them, but people who understand them can see the knowledge through the words on the bottom of the bowls and the noodles on the bowls." You can tell which one is authentic and which one is fake by the pattern on it and the production process. "
Go to street stalls and "pick up" treasures
Anyone who is familiar with Wang Xinhua knows that he maintains the habit of visiting street stalls every day and is always able to successfully "pick up treasures". Pointing to a piece of porcelain "Ji Zun from the Yuan Dynasty", he told reporters, "I bought this at a flea market in Guangdong in 2000. It cost 180 yuan at the time. Now it is worth at least hundreds of thousands of yuan. "Wang Xinhua said that this knowledge is the valuable experience he accumulated through long-term reading and exchanges with collectors.
Wang Xinhua's ability to "pick up mistakes" can be achieved repeatedly, which is inseparable from research. Once, he traveled thousands of miles to Fujian to consult a collector about a certain ancient Chinese character on a piece of porcelain. After years of unremitting academic research and continuous exploration, he has gradually become a well-known figure in the Tibetan community in Wuhan.
Follow the market and change direction
In 1998, Wang Xinhua anticipated that the stamp trade would become increasingly saturated in the information age, so he shifted his collection focus to porcelain and antiques. Over the past 10 years, his collection has been increasing year by year. He has collected nearly a thousand pieces so far, with a conservative estimate of value reaching tens of millions of yuan.
Today, Wang Xinhua’s collection includes not only the large red plate used in the imperial kitchen of the Qing Dynasty that he spent tens of thousands of yuan to buy, but also the world’s first postage stamp, the British “Penny Black”. He pocketed it at auction.
The above is about the personal resume of Li Yanjun appraisal expert, the complete content of Li Yanjun’s resume in Urumqi, and related content about Li Yanjun. I hope it can help you.